On the Normal difficulty, the game can be finished by simply button-mashing, but play on hard or higher and you’ll have to keep an eye on what combos you’re pulling off where and when. You have simple light attacks and heavy attacks, and mixing them up lets you do combos that look spectacular. The controls aren’t exactly ground-breaking, though.

This mode is special because, first of all, it automates the platforming for you as long as you’re running in the right direction, and second and more importantly, automatically deflects regular bullets as long as the mode is on. Running while holding down the L1 or LB button (depending on your platform of choice) lets you run around in Ninja Run mode. The other defensive move involves running. It’s interwoven into the fights well, with bosses needing you to use blade mode to exploit their weaknesses sometimes.Īs they say, the best defense is a good offense It basically lets you slow down time to a crawl while you pick where and how you want to slice up enemies. blade mode is one of the most-touted features of the game. Zandatsu is essentially Raiden kicking the enemy’s ass a bit and then letting you go wild in blade mode in the end. Time it right and you get to do a counter-attack that leaves the enemy open to a Zandatsu. One of the two defensive moves you get is the parry, which is pulled off by timing your light attack in the direction the enemy’s attack is coming from. There is literally no way of dodging attacks short of just moving out of the way yourself, and the game lacks a dedicated block button. Raiden, equipped with a cool-as-hell sword that supposedly vibrates at a very high frequency (hence letting him cut through giant robots and buildings alike), is an extremely offense-based character, and this can be seen in the control philosophy employed by platinum.

This may very well be one of the most distinctly Japanese games to have been made for this console generation and sits proudly alongside Bayonetta for being completely batshit insane. Raiden makes short work of it in spectacular fashion, with key moments including lifting it up and throwing it into the air while he’s cutting it up, and jumping at the rockets it is shooting from afar just to get to it to cut it up some more.īecause of the insanity and blatant disregard for the laws of physics at display, the game ends up feeling much like an episode of some shonen anime. You fight what has been established in other Metal Gear games as one of the most advanced and dangerous enemies possible-an unmanned version of Metal Gear Ray. The first boss does a great job of letting you know what the tone of the game is going to be like. This, along with the rocking soundtrack, makes the whole game feel like an extended adrenaline rush, especially with all the crazy things happening all around you. This makes animations feel fluid and the gameplay feel fast. Platinum made a wise choice to keep the game running at a solid 60fps. One of the things that stand out about Revengeance is just how fluid everything is. Right from the start, the game makes you feel like a super-powered ninja it is one of the rare games out there that makes you feel like you’re using a real sword, instead of something to just whack enemies again and again with till they fall over and die. Platinum is well-known for the insanity in its games and it definitely shows in Revengeance, right from the nonsensical name of the game to the first boss fight and even some of the weapons you get to wield. Now, with Kojima taking a backseat and Platinum Games taking the helm, we get a fresh look at the cyborg ninja. He was more-or-less hated when he first made his debut back in Metal Gear Solid 2: Sons of Liberty, but he did manage to get some fans with his reappearance in Metal Gear Solid 4: Guns of the Patriots. Raiden has always been the black sheep in the Metal Gear character roster.

Metal gear rising revengeance review